Vol. 10 No. 2 (2021): Artistic Education for Social Justice
Special Issue

Theatrical Performance as a Transferential Device Critical of Micro-Chauvinisms Violence in Adolescents

Rocío Anguita-Martínez
Universidad de Valladolid
Bio
Yasna Pradena-García
Universidad de Valladolid
Bio
Eduardo Fernández-Rodríguez
Universidad de Valladolid
Bio
Portada del volumen 10 número 2 de Revista Internacional de Educación para la justicia social
Published November 29, 2021

Keywords:

Applied theatre, Secondary education, Gender equality promotion, Actantial model, Spectatorial competence
How to Cite
Anguita-Martínez, R., Pradena-García, Y., & Fernández-Rodríguez, E. (2021). Theatrical Performance as a Transferential Device Critical of Micro-Chauvinisms Violence in Adolescents. Internacional Journal of Education for Social Justice, 10(2), 27–42. https://doi.org/10.15366/riejs2021.10.2.002

Abstract

This article analyses the implementation of a theatrical performance for the prevention of micro-chauvinisms violence and the promotion of equality created by vocational training students and aimed at secondary school students. Using a qualitative research methodology based on case studies, this work focuses on: a) analysing the acting roles of the characters that represent situations of micro-chauvinisms violence in adolescence; b) understanding the process of pedagogical mediation carried out by the VET students after the performance of the play to facilitate cognitive distancing and recover the audience's tactical knowledge of gender; and c) describing the second performance of the play modified in the pedagogical mediation to present alternatives for improving the content. The results allow us to conclude on the advantages of actantial models to diagnose the actuality of youth micro-chauvinisms violence; the particular characteristics of the theatrical performance as an experience in which young people are represented and challenged with respect to gender violence; and finally, the possibilities offered by the theatrical space itself as a laboratory of citizen creation where to expand the competence of adolescent spectatorship with a gender perspective.

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