AFRICA, MODERNITY, FREEDOM Tsenay Serequeberhan 1 - 22 DOI: https://doi.org/10.15366/reauam2019.0.001 PDF (English)
”ORPHÉE NOIR” DE JEAN-PAUL SARTRE: UNE LECTURE PROGRAMMATIQUE DE LA NÉGRITUDE Ozouf S. Amedegnato, Ibrahim Ouattara 23 - 50 DOI: https://doi.org/10.15366/reauam2019.0.002 PDF (Français (France))
Transterritorialidad e identidad en la literatura norteafricana de expresión en castellano M'Bare N'Gom Faye 51 - 81 DOI: https://doi.org/10.15366/reauam2019.0.003 PDF (Español (España))
CONTEXTUALIZING TRANSFORMATIONAL MANAGEMENT IN NIGERIAN UNIVERSITY EDUCATION Abiodun Olatoun Akinsolu 82 - 106 DOI: https://doi.org/10.15366/reauam2019.0.004 PDF (English)
GRIOTS, CANTADORES E RAPPERS: DO FUNDAMENTO DO VERBO ÀS PERFORMANCES DA PALAVRA Amarino Oliveira de Queiroz 107 - 118 DOI: https://doi.org/10.15366/reauam2019.0.005 PDF
IMPLICATIONS OF BORDER-MAKING AND BORDER-CROSSING FOR THE CONTROL OF LIVESTOCK DISEASES IN COLONIAL SOUTHERN AFRICA, 1890-1960 Francis Dube 119 - 143 DOI: https://doi.org/10.15366/reauam2019.0.006 PDF (English)
POLITICS OF SHARIA IN NIGERIA’S “FAR NORTH” AND THE FALLACY OF “SECULARITY PRINCIPLE OF STATE” Olatunji E. Alao 144 - 164 DOI: https://doi.org/10.15366/reauam2019.0.007 PDF (English)
REVERSE SAFARI. REFLECTIONS ON FLIGHT AND MIGRATION FROM THE GLOBAL SOUTH TO THE GLOBAL NORTH Zekeh S. Gbotokuma 165 - 192 DOI: https://doi.org/10.15366/reauam2019.0.008 PDF (English)
