The vulnerability of the tyrant: Nero in Lope de Vega´ s "Roma abrasada" and "Los embustes de Fabia"

Abstract

          The following paper analyzes the figure of Nero in two works by Lope de Vega: the tragedy Roma abrasada and the comedy Los embustes de Fabia. In both plays the playwright constructs an image of the tyrant as a vulnerable, stupid and easily manipulated being. These traits contrast with those of the main female characters, since both Agrippina and Fabia develop as much more intelligent ladies, and achieve their vital objectives, although these are diametrically opposed. The emperor's wickedness is linked in both works to his lack of intelligence, to the poor control of his emotions and, in Roma abrasada, to the contempt shown for the figure of the wise counselor, embodied in Seneca. Thus, Roma abrasada and Los embustes de Fabia can be read as reflections on the corruption of the tyrant and on the powers of women, who traditionally occupied a secondary place in public life.