Comparative analysis of the articulating structures of the possible worlds in the transductions of "Brideshead Revisited" by Evelyn Waugh
Keywords:
possible worlds, transduction, intersemiotics, transmodalization, Brideshead RevisitedCopyright (c) 2020 Victoria Hernández Ruiz
This work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.
Abstract
Fictional works have in their artistic constitution structures that articulate the possible world that develops in them and the interactions of the characters among themselves and with the world they inhabit. These articulatory structures of the possible worlds, through mimetic processes, emulate existing patterns in effective reality, making fictional worlds credible, recognizable and meaningful to the recipient. In this article we stop to examine the structures that respond to ethical, aesthetic and religious categories and we analyze the presence or absence of these in the intersemiotic television and film transductions of Evelyn Waugh's literary work Brideshead Revisited and we see how the general order structure of the protomund is affected in the process of transmodalization by respecting or dispensing with these articulatory structures.
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