Palabras clave:
Digital technology, cultural heritage, National Museum of Iran, Iran-e Bastan Museum, museology, computer literacy, Elam, Elamite art, digital catalogue, Susa castle, Haji Tappeh, Tchoga Zanbil, plundering of museums, archaeological collections, British museum, Louvre museum, intellectual propertyDerechos de autor 2016 ISIMU
Esta obra está bajo una licencia internacional Creative Commons Atribución-NoComercial 4.0.
Resumen
Inspired by my recent work in iran - were I was able to compile a digital corpus of material culture related to the ancient Iranian civilization of Elam - I stipulate and encourage archaeological and museological objectives cognizant of twenty-first-century challenges. At its core, this vision is compelled by a philosophical understanding of the museum as a research and didactical institution, while critically considering the complex relationships between museums and politics and the imperative need to merge computer literacy with a sound understanding of the material at hand. At the end it is the archaeologist, I argue, that through our privileged role as interpreters of the material past, together with a full awareness of present cultural realities, is uniquely positioned to advocate for fully-implemented digital museum systems which would make archaeological collections truly accessible to a global audience.