No. 46 (2020)
Artículos

On the Post-Ubaid stratigraphy and complex architecture of the Birecik Dam Area (Turkish Euphrates): Surtepe and Tilbes-Körche Late Chalcolithic 1 levels

Jesús Gil Fuensanta
Universidad Autónoma de Madrid
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Alfredo Mederos Martín
Universidad Autónoma de Madrid
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Otabek Uktamovich Muminov
Universidad Nacional Mirzo Ulug Beg
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Portada del número 46 de la Cuadernos de Prehistoria y Arqueología de la UAM
Published December 17, 2020

Keywords:

Late Chalcolithic, Halaf, Ubaid, Post‑Ubaid, Mesopotamia, Birecik Dam, Project Tilbes Höyük, Surtepe
How to Cite
Gil Fuensanta, J., Mederos Martín, A., & Uktamovich Muminov, O. (2020). On the Post-Ubaid stratigraphy and complex architecture of the Birecik Dam Area (Turkish Euphrates): Surtepe and Tilbes-Körche Late Chalcolithic 1 levels. Cuadernos De Prehistoria Y Arqueología De La Universidad Autónoma De Madrid, (46), 11–44. https://doi.org/10.15366/cupauam2020.46.001

Abstract

 

During the Later Prehistory of the Euphrates and Tigris Rivers and adjacent regions, a great cultural spread took place during the Late/Terminal Ubaid phases of Southern Mesopotamia. In the Northern Mesopotamian regions, it happened during the immediate pre-Late Chalcolithic phases. Excavations in Southeastern Turkey prove a continuity of Ubaid cultural traits at least during the earlier phases of the local Late Chalcolithic (LC1). Two archaeological sites, Surtepe and Tilbes-Körche, close to the Birecik Dam area (Turkish Euphrates) are presented and evaluated here. Surtepe höyük, a 8 ha Late Ubaid settlement that provided Coba bowls, has levels with painted pottery from the late Late Chalcolithic 1 or earlier LC 2 phases in an area of at least 4 hectares in south and southwestern slopes.
The small site of Tilbes-Körche has probably a bigger inter-connected structure and no simple isolated buildings. Among the stone foundations we identify at least one tripartite premise with a surface over 90 m2 and two bipartite buildings. From the largest excavated unit (H3-H10) was recovered a stamp seal depicting a crosshatching motif and another token/stamp seal with 8 incised lines. Within LC1 or a transitional phase between it and LC2, the 18 % of the pottery found in the Tilbes-Körche buildings was painted and there is a huge abundance of unpainted bowls, which are about half the ceramic ensemble, many with traces of a wheel or slow-wheel, mass-produced bowls, various variants of LC1 flint scraped, and two that most resemble the so-called “flower pots”.

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