No. 14 (2017): Monográfico. Filosofía de la cultura audiovisual contemporánea: últimas tendencias
II. Cultura audiovisual en la vida cotidiana / Audiovisual cultures in everyday life

Beyond Posmodernity?: ‘Countdown’, Beyoncé and Keersmaeker

José Ignacio Sanjuán Astigarraga
Conservatorio Superior de Danza María de Ávila
Portada número 14 de Bajo Palabra
Published March 1, 2017

Keywords:

Beyoncé, Keersmaeker, choreography, intertextuality, postmodernism
How to Cite
Sanjuán Astigarraga, J. I. (2017). Beyond Posmodernity?: ‘Countdown’, Beyoncé and Keersmaeker. Bajo Palabra, (14), 143–153. https://doi.org/10.15366/bp2017.14.009

Abstract

American singer Beyoncé used in the music video for the song Countdown elements of two choreographies by Anna Teresa De Keersmaeker. This paper tries to establish which elements were taken from Keersmaeker’s works and how this relates to other images (Audrey Hepburn, Diana Ross) that also appear in the music video.

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References

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