El existencialismo de dos seductores: Kierkegaard y Bergman

Abstract

The A. compare the philosophy of Kierkegaard with the filmwork of Bergman. The comparison is made not only about the notion of seducer, but principally from the point of view of the existence philosophy. If this is defined as the question of the aspects of the de human existence, the comparative method require to analyse as much the affinities as the differences between the philosopher and the film producer. In this way, the stages of the human existence (Kierkegaard) they only are understood as life forms or existence aspects in Bergman.