Estética y Teoría de las Artes
Published
December 30, 2009
Keywords:
Heidegger, boredom, Inter-war Avant-garde
How to Cite
Lesmes González, D. (2009). One gets bored: Heidegger and Philosophy of Boredom. Bajo Palabra, (4), 167–172. https://doi.org/10.15366/bp2009.4.015
Copyright (c) 2009 D. Lesmes González
![Creative Commons License](http://i.creativecommons.org/l/by/4.0/88x31.png)
This work is licensed under a Creative Commons Attribution 4.0 International License.
Abstract
Boredom, a topic of discussion developed in the Mid-Nineteenth Century, was studied by Martin Heidegger in The Fundamental Concepts of Metaphysics: World, Finitude, Solitude, in which the philosopher has provided us probably the most extensive philosophical analysis of this state of being. The first section of this article aims to introduce Heidegger’s analysis of boredom, the second section will propose a relationship between Heidegger and the avant-garde of the 1920s on this subject, boredom.
Downloads
Download data is not yet available.