No. 10 (2015)
III. Estética y Teoría del Arte

Science and Imagination In the Aesthetic Appreciation of Nature: An Approach to the Work of Tim Birkhead and John Baker

Fernando Arribas Herguedas
Universidad Rey Juan Carlos
Portada del número 10 de Bajo Palabra
Published September 21, 2015

Keywords:

Aesthetics of nature, Scientific Cognitivism, Aesthetic Imagination, Tim Birkhead, John Baker
How to Cite
Arribas Herguedas, F. (2015). Science and Imagination In the Aesthetic Appreciation of Nature: An Approach to the Work of Tim Birkhead and John Baker. Bajo Palabra, (10), 223–236. https://doi.org/10.15366/bp2015.10.019

Abstract

This article sketches a moderately pluralist perspective of the aesthetic appreciation of nature, harmonizing the central thesis of Allen Carlson’s cognitive-scientific model with other approaches that award the imagination a crucial role, such as those of Ronald Hepburn and Emily Brady. To do this, we appeal to a parallel reading of two works that are not strictly philosophical: Bird Sense, by the biologist Tim Birkhead, and The Peregrine by John A. Baker. Both works intend to contemplate the world from a different consciousness that demands the simultaneous concurrence of the scientific method and the imaginative effort particular to philosophical discourse and the aesthetic sensibility.

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