Provincial women painters, forgotten painters. Women artists in Alicante in the first third of the XXth century (1894-1931) Pablo Sánchez Izquierdo 11-28 DOI: https://doi.org/10.15366/anuario2016.28.001 PDF (Español (España))
From the street photographer to the amateur. Anonymous practices in the first expansion of photography in Spain (1914-1939) Núria F. Rius 29-54 DOI: https://doi.org/10.15366/anuario2016.28.002 PDF (Español (España))
The anonymous models. The hidden authorship of a group of industrial artifacts of Altos Hornos de Vizcaya Javier Fernández Vázquez 55-71 DOI: https://doi.org/10.15366/anuario2016.28.003 PDF (Español (España))
When the author is the patriarchy. The art dematerialization: from public art to cyberfeminism Elena García Oliveros 73-93 DOI: https://doi.org/10.15366/anuario2016.28.004 PDF (Español (España))
The “Golden Chapel” of the convent of Calatrava la Nueva. Iconographic precisions and patronage Irune Fiz Fuertes, Jesús F. Pascual Molina 97-112 DOI: https://doi.org/10.15366/anuario2016.28.005 PDF (Español (España))
Between Sicily and Spain: new contributions to the artistic collection of Luis Guillermo de Moncada, Duke of Montalto (1614-1672) Fátima Halcón, Francisco Javier Herrera García 113-139 DOI: https://doi.org/10.15366/anuario2016.28.006 PDF (Español (España))
Francisco de Herrera el Mozo, an artist at the service of Carlos II Antonio García Baeza 141-152 DOI: https://doi.org/10.15366/anuario2016.28.007 PDF (Español (España))
Mattia Gasparini. Personal and Professional Development of a Venetian Artist at the Service of Charles III of Spain Ángel López Castán 153-170 DOI: https://doi.org/10.15366/anuario2016.28.008 PDF (Español (España))
Study of the parure of commitment of A. W. N. Pugin through his correspondence Leticia Bermejo de Rueda 171-184 DOI: https://doi.org/10.15366/anuario2016.28.009 PDF (Español (España))
Vicente Castellano and the plastic renewal in the second half of the twentieth century José Manuel Sánchez de Toro 185-205 DOI: https://doi.org/10.15366/anuario2016.28.010 PDF (Español (España))
Vanishing Points: David Lamelas and his search for an unimaginable practice in the aesthetic sphere Pedro de Llano Neira 207-228 DOI: https://doi.org/10.15366/anuario2016.28.011 PDF (Español (España))
Cruz y Ortiz. Escala 1/200 … 1/2000. Museo ICO, Madrid. Comisario Jesús Ulargui y Estudio Cruz y Ortiz. Del 22 de octubre de 2016 al 24 de enero de 2017. Miguel Díaz Rodríguez 231-233 PDF (Español (España))
