Artículos
Del "Gianicolo" al "Champ de Mars": Los escultores pensionados en Roma y las Exposiciones Universales de París, 1855-1900
Published
November 30, 2002
How to Cite
Reyero, C. (2002). Del "Gianicolo" al "Champ de Mars": Los escultores pensionados en Roma y las Exposiciones Universales de París, 1855-1900. Anuario Del Departamento De Historia Y Teoría Del Arte, 14, 275–288. Retrieved from https://revistas.uam.es/anuario/article/view/2466
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Abstract
Some of the most important sculptures exhibited in the Spanish Pavilion, on the occasion of the five universal exhibitions held in Paris between 1855 and 1900, were made by scholarship-holders in Rome. This article confronts different models and collects French and Italian criticism mainly, in order to inquire the meaning and the consequences of this transfer of pieces from Rome to Paris.
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