BERTOLT BRECHT AND THE MISERIES OF THE THIRD REICH Alba Baro Vaquero 1-25 DOI: https://doi.org/10.15366/actionova2019.3.001 PDF (Español (España))
DESIRE AND ITS PRETENSE: ANALYSIS OF INTERSUBJECTIVE RELATIONS IN FRANK CAPRA'S _IT HAPPENED ONE NIGHT Alfonso A. Gracia Gómez 26-55 DOI: https://doi.org/10.15366/actionova2019.3.002 PDF (Español (España))
MANN AND NIETZSCHE: THE AESTHETICS OF ILLNESS Francesco Panico 56-77 DOI: https://doi.org/10.15366/actionova2019.3.003 PDF (Español (España))
THE LANGUAGE OF OTHERS, SCENARIO OF ALTERITIES: CONTRIBUTIONS TO THE THEORETICAL APPROACH BETWEEN ANTHROPOLOGY AND LITERATURE Fabián Perea 78-94 DOI: https://doi.org/10.15366/actionova2019.3.004 PDF (Español (España))
THE CRIMINAL KIOSK NOVEL AS HORROR NARRATIVE: VILLA DEL MAR AND EL CASERÓN DEL ÓRGANO BY JOSEFINA DE LA TORRE Alberto García-Aguilar 95-122 DOI: https://doi.org/10.15366/actionova2019.3.005 PDF (Español (España))
DARÍO AND MACHADO: TWO POETIC ARTS, TWO STYLES OF HISPANIC AMERICAN MODERNISM Fernando Valcheff-García 123-141 DOI: https://doi.org/10.15366/actionova2019.3.006 PDF (Español (España))
Signification as theoretical level for a structural difference between fiction and non-fiction Miguel Amores Fúster 142-165 DOI: https://doi.org/10.15366/actionova2019.3.007 PDF
THE ROLE OF SCHEMATA IN READING Beatriz Giudici Fernández 166-193 DOI: https://doi.org/10.15366/actionova2019.3.008 PDF (Español (España))
Richard Wagemese's Indian Horse: Stolen Memories and Recovered Histories Franck Miroux 194-230 DOI: https://doi.org/10.15366/actionova2019.3.009 PDF
MILESTONES OF THE CRITICAL RECEPTION OF HOFFMANN'S WORK IN MEXICO (1855-1917) Sergio Armando Hernández Roura 231-257 DOI: https://doi.org/10.15366/actionova2019.3.010 PDF (Español (España))
REINVENTING POLITICS, GENDER AND SOCIETY IN THE VICTORIAN CULTURE: A NEW APPROACH FROM CULTURAL RHETORIC. Eugenio-Enrique Cortes-Ramirez 258-283 DOI: https://doi.org/10.15366/actionova2019.3.011 PDF
BETWEEN THE PAPER AND THE CAMERA. TWO DUAL CONCEPTS OF UNAMUNO’S NOVELS IN LITERATURE AND CINEMA María Paula Cantero 284-311 DOI: https://doi.org/10.15366/actionova2019.3.012 PDF (Español (España))
FRANCISCO UMBRAL’S NEGRITAS Bénédicte de Buron-Brun 312-339 DOI: https://doi.org/10.15366/actionova2019.3.013 PDF (Español (España))
AESTHETIC CATEGORY, PYCHOSOCIAL REFLEX: CONCERNING THE FRAGMENT AND THE FRAGMENTARY IN MARY SHELLEY’S FRANKENSTEIN Amanda Bittencourt Sarmiento 340-366 DOI: https://doi.org/10.15366/actionova2019.3.014 PDF (Español (España))
CHRONOLOGICAL RECEPTION OF THE LITERARY CRITIQUE ON EVIL TALES (1904) Jesús Miguel Delgado Del Aguila 367-383 DOI: https://doi.org/10.15366/actionova2019.3.015 PDF (Español (España))
SOME PECULIARITIES OF THE TRANSLATION OF RIMAS DE BÉCQUER (THE INTENT OF THE APPROXIMATION OF TWO CULTURES) Vladimer Luarsabishvili 384-406 DOI: https://doi.org/10.15366/actionova2019.3.016 PDF (Español (España))
THE NARRATOR AND THE DUPLICITIES IN LA SOMBRA, FANTASTIC NOVEL BY BENITO PÉREZ GALDÓS Claudia Cabrera Espinosa 407-423 DOI: https://doi.org/10.15366/actionova2019.3.017 PDF (Español (España))
LITERATURE AND SCIENCE IN MINIMALIST COMPOSITION: LOOKING FOR A THEORY OF CONTROLLED CHANCE. Marta Cureses 424-455 DOI: https://doi.org/10.15366/actionova2019.3.018 PDF (Español (España)) PDF (Español (España))
BETWEEN AESTHETICS AND LITERATURE: METHODOLOGIES IN ORDER TO READ THE TEXTOVISUAL CONTINUUM OF LITERARY WORKS IN THE DIGITAL AGE Vicente Luis Mora 456-480 DOI: https://doi.org/10.15366/actionova2019.3.019 PDF (Español (España))
ABOUT THE MISE EN ABYME AND ITS RELATION WITH ÉCFRASIS AND INTERTEXTUALITY. AN APPROXIMATION TO A TYPOLOGY Lucía Tena Morillo 481-505 DOI: https://doi.org/10.15366/actionova2019.3.020 PDF (Español (España))
INTEGRATION AND RESISTANCE TO ASSIMILATION OF LITERARY TEXTS IN HYPERCODIFIED MESSAGES: KIPLING IN ADVERTISING AND PICTUREBOOKS1. José Manuel Trabado Cabado 506-531 DOI: https://doi.org/10.15366/actionova2019.3.021 PDF (Español (España))
TEXTVISUAL CULTURE, HYBRIDIZATION AND DIALOGISM IN THE WORK OF ALBERT SOLOVIEV Ana Calvo Revilla 532-555 DOI: https://doi.org/10.15366/actionova2019.3.022 PDF (Español (España))
WHEN VIDEOGAMES TELL STORIES: A STUDY ABOUT THE INFLUENCE OF INTERACTIVITY IN NARRATION Gemma López Canicio 556-592 DOI: https://doi.org/10.15366/actionova2019.3.023 PDF (Español (España))
Julián Ayesta: Obras de teatro. Piezas estrenadas, inéditas y prohibidas, Textos, edición, introducción y notas de M.ª Ángeles Varela Olea María del Carmen Ruiz de la Cierva 593-596 PDF (Español (España))
María Pilar Celma Valero y Carmen Morán Rodríguez (Ed.), La verdadera patria. Infancia y adolescencia en el relato español contemporáneo, Madrid y Frankfurt, Iberoamerica-Vervuert, 2019, 192 páginas. Noelia S.García 597-601 PDF (Español (España))
Epicteto Díaz Navarro, Ensayos sobre narrativa española (1989-2018). Claudia Sofía Benito Temprano 602-604 PDF (Español (España))
Ana Godoy Cossío, Arquetipos femeninos: Francisco Umbral y Vargas Llosa: obras y vidas paralelas Fabienne Uni 605-608 PDF (Español (España))
Díez, J. Ignacio (2019), "Ficciones y confesiones: Francisco Umbral (y otros escritores contemporáneos)" Fabienne Uni 609-612 PDF (Español (España))