Exaltación y triunfo de la Virgen: la carroza de Nuestra Señora de la Concepción de Navalcarnero

Abstract

From second half of century XVII the brotherhood of the Immaculate Conception of Navalcarnero found in the Baroque Art a inestimabel ally to express its religious devotion. Their capricious forms gave answer to a raised cult and triunfal that has one of its better examples in the float of the Virgin, made by Mateo de medina. A key piece to undestand the Rococo tendency and the influence exerted by the stamps of the "Método sucinto y compendioso" of fray Matías de Irala.